Tag Archives: colour

Love the Autumn – Do Photography!

sunbeams in an autumn forest Trevor Aston PhotographySummer has holidays, winter has Christmas. Autumn, sandwiched in between has nothing but colour.  But, oh! What colour

moss and ivy-covered cottage in autumn Trevor Aston PhotographyAutumn’s the best. Yes, photography in spring is beautiful when everything bursting into life. Winter is wonderful in its sharpness and starkness. And of course, long, sultry, summer days are magnificent. But Autumn? Autumn is golden, it’s crunchy underfoot and smells of sweet wood smoke and musty damp leaves, it’s the sensual season. We should love autumn.

Autumn should be walked in, listened to, breathed and touched. Autumn is definitely a time for photography. In fact, producing half a dozen good pictures of rich, autumn colours should be compulsory for anyone with a camera.

The colours are fantastic – the oranges, reds, yellows and browns. All made more spectacular by the light from the sun shining low in the sky, streaming through the trees, punching out the colour. Unless, in the dark of the night, the chilling mist has risen to shroud the landscape in mystery.

Bloated spiders spin colossal webs, strung with tiny lenses made from morning dew, focusing sunbeams into lines of fairy lights. While birds come back to the gardens searching for treats to fatten them up for winter, squirrels scamper through branches and flower beds burying family-packs of conkers and acorns.

The camera might almost have been invented for autumn – a tool for saving splendours to savour in the grey of winter.

bench in Bushy Park Teddington Trevor Aston photography

Stag in Bushy Park Teddington Trevor Aston Photography

The Lords of London’s Bushy Park, the growling grouches, noses in the air, nostrils twitching, sniffing for rivals, strutting stags watching over their herd.



Six beautiful words to describe autumn

Can you identify these autumn leaves?

Find your nearest National Trust property to enjoy autumn colours

10 mindful walks to enjoy in the autumn


Green is the Colour that Should Always be Seen

conifer forest

Who doesn’t love the colour green? It’s a bringer of hope when the first shoots pop up from germinating seeds. It’s diverse in the seemingly endless variety of shade and tone in the tree canopies, the garden borders, the verges and the hedgerows. It’s fruitful and fertile – even if it’s the lawn needing mowing yet again. Green appetises on the plate in summer salads and winter leaves. A green light sets you free, a green wall calms your soul. It’s beloved of the eco-warrior, it’s my favourite, and it’s the colour that every other hue wants to be. Yes, they are green with envy.

I wondered who decided red in the colour of danger?

I do like colour in photographs

Jennifer Bourn reflects on the meaning of ‘green’

Who Decided Red Means Danger? Reflections on the Colour Red

If red colour was a dog, it would be a barking Alsatian. Red is the colour that people go both when they’re angry and when they’re in the throes of passion. It’s the colour of the boy racer’s throaty sports-car and the warning colour of the poisonous berry. ‘Roses are red’, so are shiny apples and plump tomatoes. But if noses are red, then the photographer needs Adobe Photoshop and the subject needs AA. Unless it’s Rudolf the Reindeer. Red is the colour of the sky at night that gives shepherds delight, but it spells danger if put in a light.

Red is a shouty colour, it makes its presence felt, you know it’s there. Eyes will snap to the red thing in a photograph like a compass needle finds north. Which is great if the red thing is also the subject of the picture, but a hopeless distraction if it’s not.

“Red protects itself. No colour is as territorial. It stakes a claim, is on the alert against the spectrum.” (Derek Jarman)

“A thimbleful of red is redder than a bucketful.” (Henri Matisse)

“Nothing attracts attention like a red dress.” (Laura Bush)

photographs containing the colour red

“Put on your red shoes, and dance the blues.” (David Bowie)




Colours can make a photograph

Photographer and writer Tony Northrup explains colour science. (Really well) (I understood it)

Jacob Oleson writes on the meaning of red.


Colours Can Make a Photograph

Colours – bright, vibrant, striking, resonating or complimentary, blending, gentle and pastel. Colours often provide the urge to pick up the camera and take a picture. Something in the photographer’s brain is forever on the lookout for that chance arrangement colour, texture and form that strikes a chord and tells us there’s a picture to be taken.

Sometimes I envy the painter because they can choose where to put colours, and what they’ll do in the picture. The way colour is rendered on the painter’s canvas can affect how the composition is perceived, bluer tones can help depict depth or distance, warmer colours might help objects to stand out. Colour helps the artist set a mood or atmosphere and manipulate emotion. The artist might choose to use colour naturalistically; grass is green, sky is blue. Or they may not, Henri Matisse said: “When I put down green it doesn’t mean grass, and when I put down blue it doesn’t mean sky.” The photographer looks at a scene, and at the moment they press the button, the colour they see is the colour they get in the photograph. (Ok, cameras differ and there’s a whole bunch of settings that can change the colours)

It is perfectly possible to train the eye, or rather the eye and the brain to look for elements in a scene that will make a photograph better. Here are a few…..

 

Photograph of an office block and orange lampposts. photography photographer

Rhythmic, or repeated colours
the repeating orange of the receding lampposts stand out, but the blue/grey in the building has rhythm

 

Photograph of waving child in daffodils. photography photographer

Dominant Colour
yellow is dominant to my eye, others might say that red will always dominate
 

abstract photograph orange tree against a painted wall. photography photographer

Economy of Colour
fewer colours can add strength to an image
 

T

The Campo Sienna photograph photographer photography

Complimentary Colours
The dark red and the yellow somehow enhance each other
 

Photograph showing clashing colours

Clashing Colours
A collection of colours that give the picture life and vigour

 

Photograph of a painting on the Berlin Wall. photography photographer

Colour is the picture.
Is the subject of the picture the cyclist or the painting?
(Eastside Gallery, Berlin. One of 105 paintings by artists from around the world on the longest remaining section of the Berlin Wall)

Digital manipulation makes it very easy to change the colours in a photograph, and very tempting. (Save us from any more purple skies) There are many reasons why a photographer might want to alter colours, but the reason should come before the ‘doing’. Adjusting tone and hue, brightness and contrast can enhance a picture, but it can’t turn a pig’s ear into a silk purse. It really is possible to post a picture on Instagram without using filters. However, the colour can be distracting. In this picture, I felt the red barrel and the yellow signs were too dominant….

 

Don’t make all your pictures black and white for the sake of it – colour is good! But there are occasions when the colour is so insipid it contributes nothing, even weakens the picture, like here…

photograph of swans. photography photographer

A winter scene, in winter light. The weak colour adds nothing to the picture

photograph of swans. photographer photography

Taking out the colour has made the swan’s posture stronger, and the image has a rhythm; black-white-black

What Colour Should I Wear for a Photo Shoot?

It’s not just the colour – there are as many ‘right’ ways to dress for a profile portrait photograph as there are people to be photographed. When I take a booking for a profile portrait shoot, I’m sometimes asked, ‘what shall I wear?’ I tend to hedge around the question with my answer, because I don’t really know. I’m not a ‘snappy dresser’.

Own Your Style

So I sat down with Jacqui O’Connell of Soul Dresser. Jacqui helps people find their personal style, and she was going to help me formulate a more thoughtful answer. “Firstly, people should own their style. They should dress so they feel comfortable for the shoot, or they won’t come over as best they can.” That immediately sounds like the nub of the matter – you’ve got to be comfortable before you can be relaxed, and you’ve got to be relaxed before your can feel confident. Jacqui continues; “People often fall out of love with getting dressed, but choosing what to wear should be fun and exciting, you should be able to look forward to people’s reactions.” You should look forward to people seeing your new profile photograph too. What ever your reason for wanting a new picture, you should also know what reaction you want to provoke from anyone seeing the picture.

Are You Gold or Silver?

So I asked Jacqui for the single most important thing to think about when dressing for a photographic shoot. “Start off by getting your colour right, we all have a seasonal colour that’s right for us. Firstly, are you warm or cool? Does silver or gold work best for you? Gold is warm, silver is cool. Autumn and spring are the warm seasons – deeper colours will work best. Winter and summer are cool – bold colours can work well.” Jacqui could see I was already lost, she suggested finding an online resource to help decide. “Most people know, but don’t put a label on it. It’s often the colours that you’re most drawn to. The thing is, wearing the wrong colours, especially near the face will be a distraction because they don’t really work.” Jacqui thought I was probably autumn because I wear deeper, warmer tones.

Colour and Comfort

‘What should I wear for the photo shoot? Now when people ask this I can offer a really practical piece of advice – know your season. Choosing the right colour can actually make you feel more comfortable in front of the camera. The context of where the picture will used is vitally important too, as is the occupation of the sitter and what their client would expect to see, but we need to use all the tools we have to connect – getting your colour right can be one of them. As Jacqui says; “There’s a style for everyone, find it, own it and you’ll really shine.”

Jacqui O’Connell, Soul Dresser http://souldresser.co.uk/